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Membership in the Community Music School orchestras and ensembles is by audition for both returning and new students. Auditions are by appointment only.

Read all information carefully before completing BOTH sides of the application and return the application to the Community Music School of Webster University by the specified deadline.

ALL APPLICANTS will receive an audition time after the completed application is received.

Audition Requirements

For all orchestras/ensembles, an unaccompanied solo of the student’s choice is required. The solo should be recital-ready and represent the student’s technical and musical ability. The solo does not need to be memorized.

Scales, sight-reading and excerpts are also part of the audition. For scale requirements, see the descriptions of specific orchestras/ensembles.

Note that the judges will not request any particular scale, so be sure to prepare all scales listed.

Excerpts will be mailed on August 4 for Young People's Symphonic Orchestra and Young People's Concert Orchestra, and on August 25 for String Orchestra and String Ensemble.

Placement in the ensembles is based solely on the audition performance. Judges comments are confidential. The decisions of the judges will be final.

Suggested Audition Repertoire
(YPSO, YPCO and Percussion Ensemble)

YPSO Scale Requirements All major and minor scales through 4 sharps and 4 flats, minimum of 2 octaves, 4 notes per bow; chromatic scale
YPCO and Percussion Ensemble Scale Requirements All major and minor scales through 3 sharps and 3 flats, minimum of 2 octaves, 4 notes per bow; chromatic scale

YPSO/YPCO/Percussion Ensemble Suggested Solo Guidelines

The following repertoire list indicates the minimum playing level generally reached by students in the Percussion Ensemble and Young People's Concert and Symphonic Orchestras.  These are guides for applicants and their teachers, indicating the orchestras' and ensemble's range in technical level and repertoire.  There are many other works not listed that are appropriate for auditioning.

Instrument Concertos Pieces
Violin Accolay – No. 1, J.S. Bach – a minor, No. 2 in E Major, Mozart – No. 3, No. 4, No. 5 G.F. Handel – Sonatas
Viola Telemann – G Major, Hoffmeister, J. C. Bach – Concerto in c minor J.S. Bach – Suites
Cello Breval J.S. Bach – Sonatas, Marcello – Sonata in g minor, Faure – Elegie,

Saint-Saëns – Allegro Appassionato, Eccles – Sonata

Bass Capuzzi, Dragonetti, Bottesini Marcello – Sonatas
Flute Mozart, Quantz – G Major, Chaminade – D Major, Telemann – f minor,

Marcello – c minor or d minor, Haydn – C Major

G.F. Handel – Sonatas
Oboe Cimaroso – c minor, Marcello – d minor, Vivaldi – d minor Handel – Sonatas
Clarinet Weber, Mozart, Stamitz Weber – Concertino, Jeanjean – Arabesques, Finzi – Five Bagatelles (Mvts. I, II, IV, or V – pick two)
Bassoon Hummel – Bassoon Concerto, Mozart – Bassoon Concerto, Handel – g minor Weber – Hungarian Rhapsody
Horn Strauss – No. 1; Mozart – Horn Concertos Mendelssohn – Romance sans paroles
Trumpet Haydn, Hummel, Aruturian Arnell – Trumpet Allegro, Hartley – Sonatina, Hindemith – Sonata
Instrument Sonatas Pieces
Trombone Marcello, Hindemith, Vivaldi, Bach – Cello Sonatas Arnold – Fantasie Op. 101, Rochut – Melodious Etudes
Instrument Pieces
Tuba Buchtel – Ballad for Tuba, Huddad – Suite for the Tuba, Desmond – “The Sea Song”, Hartley – Sonatina
Instrument Guidelines
Percussion/Timpani

Be prepared to play as many instruments as possible using the examples below or comparable literature. Rudiments and sight-reading may be requested.

Middle School/Junior High
(selections from Audition Etudes by Garwood Whaley)
Snare Drum: No. 3, pg. 6
Timpani: No. 2, pg. 12
Mallets: No. 2, pg. 19

Senior High
Snare Drum: Portraits in Rhythm by Anthony Cirone –No. 14, pg. 16
Timpani: Modern Method for Timpani by Saul Goodman – No. 54, pg. 58
Mallets: Modern School for Xylophone by Morris Goldenberg – No. 12, pg. 70

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